

How Wakandacon escaped the fan convention curse (The Verge)
Wakandacon started as a tentative, nerdy idea: how can black people make Wakanda, the utopian advanced African nation where Black Panther takes place, real? (2018)

If serpentwithfeet is the future of music, maybe humanity will win after all
This Björk-endorsed singer’s baroque, queer, devastating R&B is the brazenly tender music the world needs right now. Photos by Amelia Krales. (2018)

Courtney Barnett Talks About Taking on Misogyny and Self-Doubt With Her New Album (Pitchfork)
Tell Me How You Really Feel finds the Australian songwriter doubling down on topics she’d rather avoid. (2018)

Invasion of the Body-Snatchers: Why Transhumanism is Taking Over Sci-Fi TV (Wired)
Altered Carbon is the latest in a trend of shows that explore our transhumanist future. Now more than ever, we must consider the ideology's ethical, personal, political, and economic implications. (2018)

Star Trek: Discovery’s Shazad Latif Explains Why Ash Tyler is More than an ‘Outdated Classic Male Action Hero’ (The Verge)
In a candid interview, the actor discusses Ash Tyler’s big plot secrets, and why being emotional and vulnerable is more fun than being violent. (2018)

Courtney Barnett and Kurt Vile Break Down Every Song on Their Album, Lotta Sea Lice (Pitchfork)
The nonchalantly brilliant pair discuss the art of procrastination, covering each other’s songs, and lyrics that are dumb enough to be genius. (2017)

The Rise of the Millennial Mortician (Marie Claire)
After circumnavigating the globe documenting the world's death rituals, "alternative death advocate" and mortician Caitlin Doughty is back, with a new book and a vengeance. (2017)

How 'Star Trek' Fans Helped Change TV Forever (Vox)
The original series was nowhere near an instant hit; early Trekkies saved it from obscurity to jumpstart the beloved franchise we know today. (Sept. 2017)

The Future is Female (Marie Claire)
Meet Mackenzie Davis, Ana de Armas, and Sylvia Hoeks —the stars of Blade Runner 2049. (October 2017, print)

A Conversation with 'Orphan Black' Science Consultant Cosima Herter (Vanity Fair)
On the eve of Orphan Black's conclusion, the woman who inspired one of Tatiana Maslany’s most notable clones talks immortality, robot eyes, and making sci-fi with a conscience. (August 2017)

Orphan Black’s Showrunners Break Down the ‘Emotional’ Series Finale (Vulture)
Co-creators Graeme Manson and John Fawcett never looked to make a huge splash with their science-fiction thriller about corporate science and bodily autonomy — they just wanted to make it good. (August 2017)

Haim Break Down Their New Album (Pitchfork)
In this track-by-track interview, Este, Danielle, and Alana Haim discuss the musical intricacies that make up their second LP, Something to Tell You. (July 2017)

Michaela Coel, the Prodigy Behind Netflix's CHEWING GUM, is the Future of Comedy (Complex)
Add this hysterically funny showrunner to the list of women killing it in comedy—and possibly in a galaxy far, far away thanks to her cameo in the upcoming Star Wars episode. (April 2017)

Your Next Creative Partner Could Be a Bot (Slack Blog)
A tech-savvy science-fiction author shows how A.I. might inspire art rather than replace it. (January 2017)

James Blake and the Pursuit of Happiness (Pitchfork)
Following the release of his third album, the singer talks about collaborating with Frank Ocean, showing up late for a meeting with Kanye, and moving past the gloom that has defined him thus far. (2016)

Natalie Chaidez Explores New Frontiers on Syfy, On-Screen and Off (Vanity Fair)
One of the few Latina show-runners in television talks pushing boundaries and diversity in the TV industry. (2016)

Meet the "Real" Cookie Lyon (Vanity Fair)
Lydia Harris was instrumental in the founding of a major hip-hop record label and had to fight to get what she deserved. Sound familiar? (2015)

M83: Nostalgia at the End of the World (Pitchfork)
I profiled M83’s Anthony Gonzalez on the occasion of the release of Junk, which found him struggling not to care so much about his own wistful fantasies. (2016)

What's Next for Kesha? (Vanity Fair)
A judge has ruled that Kesha cannot record music without Sony and her alleged abuser’s label while the abuse case is ongoing. Now what? (2016)

Evan Peters: The Villain We Love (NYLON)
On the eve of the fifth season of American Horror Story, the show that’s defined his career, the 28-year-old prepares to go even badder. (2015)

Just How Does a Wax Museum Survive in the Digital Age? (Vanity Fair)
Maybe because you can’t put your arm around a retweet. (2015)

Hug Life: Four Days in a Hello Kitty Convention Tattoo Parlor (Vanity Fair)
For Hello Kitty fanatics, free tattoos at the icon’s 40th-anniversary celebration are just another benchmark in a lifetime of nostalgia, identity, and devotion. (2014)

The Monty Python Reunion: Eric Idle on Why He's Glad There Are Only 10 Shows (GQ)
On the eve of Monty Python's final reunion performances at London's O2 arena, Eric Idle says goodbye to the end of the group that established his career. (2014)

The Bulletproof Altar of St. Vincent (Village Voice)
Back with her fourth and biggest album, Annie Clark has created a magnificent mythology on her own terms. (2014)

André Benjamin on Playing Jimi Hendrix (GQ)
I caught up with André Benjamin from his home in Atlanta, where he was holed up before the premiere of All Is By My Side, a much-anticipated biopic from director John Ridley (12 Years a Slave) about the year before Jimi Hendrix broke out. (2014)

Indestructible Room: The Story of 285 Kent (Pitchfork)
With the Brooklyn DIY venue hosting its final shows last weekend, I traced its history over the last eight years and finds out why this warehouse space meant so much to so many. (2014)

What is Afropunk? (Village Voice)
Afropunk started with a documentary. Ten years, two websites, and eight festivals later, what is it? (2013)





























